Rick Raptor schreef: ↑28 jul 2018, 21:15
Wtf was die anime met die disgusted face en underwear blabla? Dat is er eentje die ik niet op de lijsten heb zien langskomen.
https://myanimelist.net/anime/37021/Iya ... e_Moraitai
Deze? Misschien wel terecht dat het niet overal duidelijk vermeld staat, dit soort series moeten we maar snel vergeten
Al snap ik niet wat de obsessie met sportseries is van de anime-reviewers de laatste tijd, het lijkt me sterk dat die ooit populair zullen worden. Zeker niet als de serie melodramatisch gaat doen over freaking badminton.
Hanebado gaat alleen de boeken in vanwege opvallend goede animatie. Meer niet. Deze serie zal ook niet populair worden.
Maar sport series zijn wel degelijk heel populair, zie Kuroko's Basketball en Haikyuu. En Haikyuu is awesome.
Attack on Titan S3 - 2 was waanzinnig. Onderstaande website heeft er een mooie blog post over geschreven.
https://blog.sakugabooru.com/2018/07/30 ... ighlights/
─ Jeez, Arifumi Imai. Attack on Titan‘s main action animator needs no introduction at this point, though weirdly enough he does deserve even more recognition than he’s getting. The fact that he essentially defined the visual vocabulary of this show’s battles, to the point of having influenced almost everyone else regularly contributing to it, wasn’t enough to satisfy him. Since his vision is so integral to Attack on Titan‘s action, Imai’s begun storyboarding his own sequences, which are often produced in advance to use as eye-catching promotional material. Though many of the concepts this time around are in line with Hirao’s approach, like the immersive dynamism with Levi constantly sliding towards and away from the viewer, the truth is that Imai himself storyboarded the entire chase scene, which he then took about a month to personally key animate. A thrilling scene that bruteforces the coexistence between 3D backgrounds and 2D animation by going fast enough that you won’t pay much mind to questionable details but also not so nimble that it’s impossible to follow. Imai himself always makes a point to thank the whole team that enables his ambitious sequences, but it’s no exaggeration to say that without him, Attack on Titan definitely wouldn’t be what it is.